Sam Rockwell, Vera Farmiga, Celia Westson, Dallas Roberts, Jacob Kogan as Joshua. Thriller. Written & directed by Geroge Ratliff.
FILM SYNOPSIS: A young couple has a perfect, well-heeled Manhattan life, with a new baby girl and the male prodigy born to them nine years earlier. But with the arrival of his newborn sister, Joshua begins to display a disturbing side. Not just jealous of his sibling, he begins to display a psycho side bent on destroying his entire family. Alas, no one else sees the demonic behavior until it’s too late. PREVIEW REVIEW: Earlier that day, I had viewed an uplifting, gentle film, then had a nice meal with a friend, returning later to the same theater where I regaled studio publicists with tales of past adventures at the movies, to which they kindly responded with chuckles. It had been a very pleasant day. I was…happy…when I sat down and waited for Joshua to begin. It didn’t take long, however, before the film began to drain that joy out of me, much like a vampire sucks the life’s blood out of his victims. It quickly became apparent that this film was going to be the opposite of edifying. It’s always unsettling when an infant is endangered in movies. Too often, we hear horror stories on the news concerning abused infants. So I’m not quite sure who would enjoy this theme as entertainment. Well, it’s implied that Joshua, who walks around arms at his sides, his shirt buttoned to the neck like Adrian Monk, sneaks into his sister’s room late at night and somehow gets her to cry. Soon the baby is crying all the time, until the mother loses her mind and has to be institutionalized. Then it’s Dad’s turn. Methodically, the boy disassembles his family’s life, skillfully aiming the blame at others. He even knows how to get a child psychologist to think the boy’s father is abusing him. Joshua is brilliant, demented and creepy. He seems to be the spawn of The Omen’s Damian and that spooky chick from The Bad Seed. If seeing injustice go unpunished is disturbing to you, then consider yourself forewarned. But there’s an added ingredient that made this storyline unsettling for me; Christian bashing. Joshua’s parents have rejected any kind of religious upbringing, claiming they will let their children decide for themselves about church going. The husband’s folks are zealous Christians, determined to bring Jesus into their son’s home. This, as you can imagine, doesn’t sit well with Joshua’s Jewish mother. And oh what a tirade she vents upon discovery that her mother-in-law has sneaked Josh off to a religious service. The mother-in-law is portrayed as good-hearted, but over-zealous in her approach. Even more troubling for this Christian moviegoer was the screening audience’s reaction as soon as the woman declared her faith (with clumsy pronouncements and a cardboard-ish portrayal). They began to snicker, the entire theater taken over by an anti-Christian bias. The Christian in the film was portrayed as close-minded. This the audience rallied behind, seemingly glad to see a person of the Christian faith ridiculed on screen. (Why is it that the word phobic is used to point out prejudice, except when that close-mindedness is aimed at the entire Christian community?) I found myself conflicted, with a touch of hostility tempered by a sorrow for those in the audience who seemed to lump the Son of God among his foibled followers. And exactly when did Evangelicals become America’s bad guys?
Distributor:
This movie is so good that I watched it multiple times. I am so surprised to read negative reviews about this movie. This movie amused me a lot.
Joshua
Unknown said...
June 27, 2013 at 9:27:00 AM PDT