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Documentary from Picturehouse. Written by Ed Cunningham, II, and Seth Gordon. Directed by Seth Gordon.

FILM SYNOPSIS: In 2003, 35-year-old family man Steve Wiebe, after losing his job at Boeing, found solace in Donkey Kong. He began perfecting his game every night after his wife and kids went to bed, and not only surpassed Billy Mitchell (“Gamer of the Century” and Donkey Kong Champion), but ended up with a thought-to-be-impossible 1,000,000 points. In the months that followed, Steve and Billy engaged in a cross-country duel to see who could set the high score that would be included in the 2007 Guinness World Records’ book and become “The King of Kong.” Along the way, both men learned valuable lessons about what it means to be a father, a husband, and a true champion…discovering that you don’t always need to win to be a winner.

PREVIEW REVIEW: So well conceived, I thought for a while, “Are we being punked?” But no, even though it has a mockumentary feel, it’s the real deal. Despite the title, which, as a colleague pointed out, is the best film title this year, this is not a Christopher Guest (Waiting For Guffman, Best In Show) comic satire, but an honest appraisal of a cult of obsessed people who take video game playing very seriously.

Searching for an outlet to nurture their energies or artistic nature or just a venue where they can succeed above all others, these geeky gamesman are tunnel visioned and a picture of obsessive-compulsives. While many people apply such efforts and time to activities that aid others, the people who spend their time in front of arcade machines tend to be less social, more in tune with their own desires. They appear to be selfish and self-centered. Even the “good” guy here, the man we root for, is so possessed by being the highest scorer that when his four-year-old boy calls from the top of the stairs, “Daddy, come wipe my butt,” daddy dearest refuses to budge.

Now, there will be those who defend this “sport,” and I’ll admit that -- like anything done well -- it demands discipline and expertise. But what does it say when the most astute person in the room is a preteen girl who suggests to her father, who wants to enter the Guinness World Records, “Some people ruin their lives to be in that book.” She’s wise in her generation.

King of Kong is not mean spirited or belittling. It is, however, a taunting exposé that masterfully reveals the makeup of these two advocates of the arcade. The biggest surprise of the summer; I thoroughly enjoyed this delightful concept.

Distributor: Picturehouse