FILM SYNOPSIS: Robert Neville (Will Smith) is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable…and manmade. Somehow immune, Neville is now the last human survivor in what is left of New York City…and maybe the world. But he is not alone. He is surrounded by “the Infected" - victims of the plague who have mutated into carnivorous beings who can only exist in the dark and who will devour or infect anyone or anything in their path. For three years, Neville has spent his days scavenging for food and supplies and faithfully sending out radio messages, desperate to find any other survivors who might be out there. All the while, the Infected lurk in the shadows, watching Neville’s every move, waiting for him to make a fatal mistake. Perhaps mankind’s last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But his blood is also what The Infected hunt, and Neville knows he is outnumbered and quickly running out of time. PREVIEW REVIEW: “It’s not nice to fool Mother Nature.” So learn the scientists who attempt to eliminate all illness from the earth. The vaccine used to inoculate everyone against cancer goes so wrong that everyone except Will Smith (maybe others) becomes a flesh-eating member of Night of the Living Dead. It contains moments of cacophonous thrills, others of philosophical profundity, with a continuous intensity. Computer trickery is so impressive these days that Manhattan can be turned into a Mad Max wasteland and monsters can become the things that nightmares are made of. Though the story has its roots in such films as On the Beach, The World, the Flesh and the Devil, and every zombie movie ever conceived, it is so well done by its technical crew and injected with such a bravura performance by its star that it becomes a satisfying seat-grabber of a movie. There are several moments that show regard for the Creator. When Neville’s wife and child board a helicopter, there is a family prayer. At another point, the lead character is quick to let someone understand that this catastrophe was not the fault of a Supreme Being: he unequivocally states, “God didn’t do this, we did.” And though at one point at his most desolate, the character in anger yells out there is no God, the ending reveals that not only is God still among us, but the character was being used by the Almighty to aid mankind.
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FILM SYNOPSIS: Taken from Philip Pullman’s bestselling trilogy, His Dark Materials, The Golden Compass is set in an alternative world where people’s souls manifest themselves as animals, talking bears fight wars, and Gyptians and witches co-exist. At the center of the story is Lyra, a 12-year-old girl who sets out to rescue a friend who’s been kidnapped by a mysterious Big Brother-like organization known as the Magisterium. PREVIEW REVIEW: Throughout this film I felt a depression, something discouraging my spirit. Was that because nearly all the adults portrayed seemed sinister? Was it because I was suspicious of the direction the story was going, only to be right when in the final scenes of the film it is declared by the child that freedom of will is everything? Was it due to the fact that according to everything I’ve read, the author of the series is an avowed atheist? Was it because I was concerned that the author’s anti-religious agenda might truly become apparent? Is it because the author wants to kill off God later in the series? Is it because secular critics and moviegoers think we Christians are a bit silly at being alarmed at a sci-fi fantasy? Was it because all the characters of the film call the manifestation of their soul a daemon (demon)? Or was my depression due to the fact that while the film never mentions God, I suspected that the film was simply a part of a larger picture that threatens the relevance of the Almighty in our culture? Or is it because one of my fellow reviewers was so excited that there would be the antithesis of The Chronicles of Narnia, a film whose characters and storylines symbolize all the themes important to C. S. Lewis, including the clear-cut retelling of Christ’s love and our need to be His ambassadors. Was it because The Golden Compass is so well made that it will no doubt be alluring to audiences even though it was filled with deception and violence? Was it because of all of the above? Director Chris Weltz and his camera crew have given the film a golden, mesmerizing look. The CG whiz department has filled it with Oz-like magic, the effects staggering the imagination. And the story, though confusing as most of these sci-fi trilogies tend to be if you haven’t read them five or six times, makes for fascinating viewing. But there’s just something unsettling about this film, which points to sequels that will further Mr. Pullman’s book series. Here’s how the series is perceived by most in the church community: The themes of these books concern reason, truth, self-awareness, and free will. Those are important, but only until they become idols replacing God’s authority. (I suspect that’s where the debate begins.) In the series, the Authority is the enemy, a mythological and false God. And in the second and third books, with the aid of demons and witches, Lyra is determined to defeat the Magisterium, and God is killed in the last book. Many in the secular community and some in the church, those who rallied around Harry Potter because of the hypnotic hold that series had on adolescent readers, may find themselves defending Mr. Pullman’s trilogy for the same reason – they like the idea that kids are reading, even if the characters the kids relate to are defiant of authority. Those who seldom frequent church services or even know which room hides their family Bible may not be able to grasp our hesitance to be supportive of an atheist with an agenda. Because I’ve been asked about this production more than any other release this year, allow me to offer these humble thoughts concerning the overall frustration Christians have with the film’s themes. As I grow closer to God through Christ I find myself awed by His love for us. This love became profound to me as I read about the night Christ served the last supper to his disciples. Jesus knew what lay before Him. It wasn’t just physical torment, or even the sins of the world that overwhelmed Jesus as He later prayed in the garden. It was the realization that for the first and only time in eternity, the Son would be separated from the Father. The pain God felt is symbolized in Mel Gibson’s The Passion of the Christ. As the audience is looking down on Golgotha, the three crosses prominent, hangers-on still in attendance, the camera’s bird’s-eye view takes in the tableau, briefly becoming distorted, as if looking through water. Suddenly that optical illusion converts into a single teardrop falling to earth, signifying God’s anguish. Because our Savior was willing and able to overcome this humanly unfathomable emotion and make that crucial sacrifice, we never have to go through such anguish. We never have to be separated from the Father. This is a love I’m not sure we will completely comprehend until the day we stand before Him. As I seek to draw closer to God, I sense His compassion. Along my spiritual walk I become more aware that God deserves our passion and demands our reverence. So to knowingly support one who wants to diminish God and religious authority seems counterproductive to that destiny. And it saddens Believers who truly care about the souls of those around us when artistry is defended at the expense of spiritless content. To me, the saddest thing is that there will be those who smirk while reading this or those who pat me on the back but fail to connect with the message. If I’m wrong, what do I lose? Isn’t living a life based on the teachings of Christ worthwhile? But if they are wrong, won’t they regret their rebellion? Unbelievers think we Christians just want to be right. The truth is, we’re just afraid they’ll discover too late that they’re wrong.
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Ellen Page, Michael Cera, Jennifer Garner, Jason Bateman, Allison Janney, J. K. Simmons. Comedy/drama. Written by Diablo Cody. Directed by Jason Reitman. Opens in limited release 12/5/07
FILM SYNOPSIS: A smart teen becomes pregnant after her first sexual encounter and decides to have the baby, giving it up to an adoptive “perfect” couple. PREVIEW REVIEW: Starting out with the same cynical attitude we’ve seen in a jillion teen angst movies, intermingled with lots of biting humor, the film soon reveals a perceptive look at today’s high school crowd, with the lead rather blasé about her world until grownup situations take charge of her emotions. As soon as Juno discovers she’s pregnant, her first notion is to have an abortion (tells you where the society is at, doesn’t it?), but without the filmmakers attempting a flagrant pro-life statement, the sanctity of unborn life quickly becomes apparent. Ellen Page comes across as a young Janeane Garofalo, sharp tongued and quick witted, but the actress, who last year starred in Hard Candy, as a Lolita type who traps a pedophile in his own home and ruins his life, here allows a vulnerability to shine through her New Millennium toughness. Ms. Page gives a three-dimensional performance as a teenager smarter than her peers in many ways, yet still unaware of the complexities of adulthood. Juno is funny, moving, and completely engaging. That said, it does contain some objectionable material now common in theatrical releases. Please read the content (the reason for the rating). If you do not wish to support a film with this content, try my suggested DVD Alternative: March of the Penguins. In the Antarctic, every March, the quest begins for penguins to find the perfect mate and start a family. This courtship begins with a long journey – a trek that will take hundreds of the tuxedo-suited birds across seventy miles of frozen tundra to a location where the courtship will begin. It’s rated G and though it depicts harsh life and death struggles, it does so in a family-friendly way. It’s full of impressive, almost unworldly locations and amazing cinematography, and most importantly, it sends a powerful message concerning the importance of life. Nature is telling us about the sanctity of life. In a time when audiences are subjected to pro messages concerning euthanasia (Million Dollar Baby, The Sea Inside), the need for abortion (Vera Drake), and desensitizing images of violence toward our fellow man (most films), here is a film that reveals creatures in the wild sacrificing all in order to preserve life. This may sound like a strange alternative, but it is a film that shows the sanctity of life.
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